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Posts Tagged ‘scott macintyre’

Idol: Adam Lambert’s Year

Wednesday, April 8th, 2009

Dedicated followes of this blog (and, I suppose, Idol) will note that I’m a day late with my comments this week. This is an unavoidable side effect of getting drunk and eating a pound and a half of buffalo wings. There can be no blogging after that much chicken.

Still, Idol does not sleep, and I feel duty-bound to put my thoughts out there on last night’s show before tonight’s results roll in.

Before I get to the performances, I’m going to offer a few words on America’s new gay hero. I’m beginning to feel quite emotional about little Madam Glambot. Latest bookmaker’s odds actually have Adam as the favourite to win the competition. I want that to be true, but I don’t honestly believe it can happen. Still, the fact that he’s the favourite right now is a victory in itself. Adam Lambert is not just gay; he’s ultra-gay. He’s camp, theatrical and unapologetic. He performs like a gay man who wants everyone to know he’s a gay man - and his song choices are almost always about being an outsider. Even after photos of him kissing other men appeared on the internet, he stayed on top, and anecdotal evidence suggests that he’s a favourite of mothers and grandmothers across America. Even Bill O’Reilly said on his show this week that, if Adam is the most talented, he should win. The rise and rise of Adam Lambert may mark a cultural breakthrough. He’s America’s queer messiah. I suspect he’s almost entirely responsible for the decision to allow gay marriage in Iowa and Vermont

On with the show. Downey’s song is Stand By Me. The theme this week is ’songs from the year you were born’, so apparently Downey is 48. Or he’s a great big cheater. Downey offers a bold reinterpretation of this much-loved soul standard, giving it the feel of a combine harvester crashing into a late night jazz club, killing seven and injuring dozens. The judges lavish the same generic praise on the smug Gorg that they give him every week, which is apt, as he gives the same tarmac-constipated performance every week.

Last week Matt Giraud sneered from the crowd. This week pocket cutie Kris Allen is thrown to that same crowd, where the maddened front-row swayers tear him limb from limb in a Bacchanalian orgy of blood. But like Orpheus, he keeps singing. Well, sort of. All She Wants To Do Is Dance isn’t much of a song, and he offers a slightly spluttery performance, like he’s singing with the microphone down his throat.

I’ve had enough of Lil Rounds and her high-power hose of a voice. She still hasn’t had a single good performance, and this week’s mauling of What’s Love Got To Do With It was a hollering embarrassment. I feel her time has run out, but I suppose we do still have Anoop, Scott and Matt to cull, so she’ll get a few more opportunities to hang herself with her own larynx.

Speaking of Anoop, we’re due another shaky, tin-eared caterwaul from the man who puts the ‘dork’ in ‘Anoop Desai is an utter dork’. His version of True Colors is less Cyndi Lauper, more Hindi pauper.

It’s crap sandwich time, as Anoop is followed by Scott MacIntyre. I wonder what Alexis Grace would be singing right now if she were still in this competition? Something awesome, I expect.

Allison Iraheta has fabulous big hair again this week. Allison is very young, so I half expected her ’song from the year you were born’ to be something by Lady Gaga. Instead it’s I Can’t Make You Love Me, and as I’ve come to expect from Allison, she sings with remarkable confidence and real heart. She’s been in the bottom three at least twice now, so she’s obviously not reaching the viewers, but she deserves to go much further than Lil Rounds, and I’d easily take her over Gokey.

Ladies and gentlemen, the smooth jazz stylings of Matt Giraud. Today’s pizza special is the Venezia, and there is an additional five penny surcharge on your bill which goes towards local heritage restoration projects. Please remember that it is apparently 1985, so try not to run over any Sinclair C5s on the way home.

Finally, Adam Lambert, doing Mad World, but secretly the Donnie Darko version, not actually the version from the year he was born. I like Adam even when he’s strutting and wailing and wearing all his make-up - he’s like the brilliant Azerbaijani angel from last year’s Eurovision - but some people find that terrifying, so he scores higher when he shows a little subtlety. This song allows him to show off his two great talents; vocal control and emotional intensity. Simon Cowell gives him a standing ovation, and it’s deserved.

Most weeks I’ll try to predict who’ll be in the bottom three. This week I have the advantage that the figures from Idol predictor site Dial Idol are already in, and it’s looking bizarrely bad for Kris Allen, who wasn’t great but was far better than Anoop, Scott, Matt and Lil. I hold out hope that it’ll be Anoop that goes home, but I think Kris has proved himself enough in this competition that the judges could actually use their save if he is in last place.